What do you mean by 'subsonic components'? Its well-received sibling, the N22 active ribbon, was reviewed by Paul White in April last year (www.soundonsound.com/sos/apr14/articles/aea-n22.htm). While you are utilizing the “negative-phase” (or 180-degree) side of the microphone, this side produces slightly more high frequency, which is definitely a nice benefit of using these 121s and certain other ribbon microphones that have this effect (not all ribbons have the benefit of an alternative tone with the microphone reversed). Why Are Some A-B Stereo Arrays Angled Outwards? Ribbon Mic Drum Overhead Shootout: Royer R121 vs. Coles 4038 vs. Shure KSM 313 vs. AEA R84, SDC Drum Overhead Shootout: Miktek C5 vs. Schoeps CMC6 vs. Neumann KM184 vs. Peluso P84. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. AEA continue their quest to modernise the ribbon mic, with this worthy addition to their new Nuvo range. According to Royer, “at distances of three feet and closer, the back of the R-121 records slightly brighter than the front side. It has been designed with a more open and natural tonal character, with emphasis on neutrality. The N8 is the mono version of the AEA R88 stereo microphone with active electronics. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. More importantly, when used at a distance, the N8s sound very nicely balanced and weighty without being overpowering. Finished in a satin black, the N8 weighs 325g and measures 225mm in length by 42mm in diameter at its widest part — although most of the mic is a more slender 35mm. For those of you who have used them.. how do these 2 mic's compare to eachother. Manufactured entirely in America, (although it uses a custom-made transformer output from Lehle in Germany), the N8 is supplied in a robust ABS plastic carry case with a foam lining, and comes complete with a simple rubber-loop-style shockmount and a fleece dust cover to protect the mic. The proximity-effect compensating LF roll-off, which is evident in the N22’s published frequency response, is completely absent in the N8’s chart. Internally, the N8’s aluminium ribbon is exactly the same as that in the company’s R44 mic, at 60mm in length, 4.6mm wide and 1.8 microns thick. One Synth Challenge V - The Filter Strikes Back! Last but not least is the Beyerdynamic series of ribbon mics: M130, M160, and M260. Symmetrical figure-of-eight pattern allows use as a Side mic in M/S arrays. Updated 2016. www.soundonsound.com/sos/apr14/articles/aea-n22.htm, Win! Mastering Essentials Part 3 - How loud should I master? Does a clear winner stand out to you? I plan on using it mostly for rock guitars and brass. You can hit us up anytime by phone or email with any question that you have, or peruse our website for loads more info on any of this gear, these techniques, or the numerous videos and sound recordings featuring all of these beauties! The ultimate ribbon microphone preamp, equipped with onboard high-boost EQ capability. Recent update, Recording Advice | Article, Recording Acoustic Guitar. Today, a remarkable number of mic manufacturers now offer at least one ribbon model in their range, including mainstream brands like Audio-Technica, Shure and Rode. The ribbon element is housed in a very open frame protected behind a thin ribbed or corrugated mesh gauze; a combination which gives it a certain vintage look. royer 121 vs aea n8 . The very natural sound character of the N8, combined with its high overload margin, makes a pair of them a good choice for minimalist drum miking, either as traditional overheads, or as front and side ‘under-head’ mics. AEA R84 vs. Royer R-121. However, whether or not that fast transient info and “attack” is something desirable will vary from style to style and producer to producer, but a well-recorded ribbon mic with a little EQ will go a long way to making the ribbon/condenser differences more subtle than you might have originally imagined, all the while benefiting from the smoothness associated with ribbons. A 21st-century reinvention of the classic RCA ‘big-ribbon’ concept in a modern, compact body with active buffering. You must maintain good phase coherence. Royer 121 vs. AEA R84 vs. AEA A840 Was thinking all along to just go for the Royer because I've heard it work so many times in studios. Not entirely convinced by the shockmount. The N8 sounds more modern and detailed, where the Cloud had a thicker and more vintage character. I was provided with a pair of N8s for this review (complete with optional foam windshields) so I was able to try out X-Y and M/S coincident arrays, as well as individual instrument miking. However, it is easy to extend the brightness and air with a shelf EQ while completely avoiding any hint of harshness or grittiness. I’ve owned a pair of AEA R92s for many years and use them a lot for relatively close miking of a wide range of instruments, including guitar amps, acoustic pianos and guitars, drums/percussion and vocals. Some people like to use “rules-of-thumb” like the 3-to-1 rule. Sometimes, they behave a little slow on transient information, so you might not pick up as much of the initial attack’s punch on certain instruments. An amazingly modern-sounding and versatile ribbon. Ribbons have an incredibly smooth response pattern, and take EQing remarkably well. I was also able to compare the N8 with the Cloud 44A, which I reviewed recently and still had on the premises. We recently heard someone of some notoriety ignorantly state that “a ribbon microphone should never be used on acoustic guitars, they just don’t work.” Well, we beg to differ, and set up a little test to demonstrate how condenser-like we could get a ribbon to behave. My first impression of the N8 is of a very natural, flattering sound typical of the classic ‘big ribbon’ designs of over half a century ago. The Royer R121 ribbon microphone has an interesting result when you position it backwards (with the Royer logo away from the sound source). Primary uses would be Room Mics and possibly electric guitars.. All rights reserved. A Mono Version of the AEA R88. There’s one incredibly sensible way to address the top-end roll-off consistent among all ribbon mics, and that’s a decent EQ. I'm looking at adding a pair of ribbons to my mic locker in the new future and I'm squarely between these 2. Signal-voltage gain comes entirely from the custom step-up transformer, to give a nominal sensitivity output of a healthy 6.2mV/Pa. Q. Let us know what you think of the recording, the technique, or any questions that you have about what we did here. Royer Vs. AEA Ribbon Mics? They are great at what they do, and the different tonal character front and back is a handy feature, but the N8s proved rather more versatile and coped well with close-miking where many ribbons balanced for far-field use just don’t. I already have a pair of Coles 4038 and I'm deeply in love with them. While rules of thumb are useful, they are just that. Some distance-tweaking (dealing with the relative distances of the individual microphones to the sound source) will enable you to produce an ideal positioning balancing these factors. There are quite a few more expensive ribbons around (most being stereo or vintage replicas), but also a lot more affordable models, including AEA’s own R84 and R92, Coles 404 and classic 4038, Royer’s R101, Audio-Technica’s AT4080, Sontronics’ Sigma and the new Rode NTR active ribbon. Ribbon Mic Drum Overhead Shootout: Royer R121 vs. Coles 4038 vs. Shure KSM 313 vs. AEA R84 SDC Drum Overhead Shootout: Miktek C5 vs. Schoeps CMC6 vs. Neumann KM184 vs. Peluso P84 Tags Q. This has a relatively thirsty current draw of 7mA, but provides complete immunity from the effects of cable lengths and preamp impedances. All wonderful and very useful ribbon mics that are significantly less then the Royer. © Sound Pure LLC 2018. I havn't really heard to AEA's in person though. I don't have access to try the mics where I live so I'll need some advice. Dismissed by most as obsolete technology only a couple of decades ago, the humble ribbon microphone has seen a miraculous resurgence in popularity in recent years. The optional foam windshield sleeves were very effective, though, and well worth the expense. It’s a mistake to say any one microphone is good for every task. For the attached YouTube video recording, we boosted the EQ gain at approximately 6 khHz at 50% boost on the RPQ (it’s difficult to know exactly what that translates to in terms of dB, but we tune things like that by ear anyway), and got the result you will hear. I have to say I wasn’t entirely convinced about the efficacy of the shockmount design, and actually ended up using Rycote Studio InVision mounts, which seemed to do a better job of controlling mechanical vibration. The Royer R121 world-class ribbon microphone. Hello slutz, I'm in the process of buying a new pair of ribbon mics. We didn’t want a “hyped” top-end, we just tried to match the acoustic properties of an extraordinary Lowden guitar by tuning the EQ by ear, the Lowden F32 Medium Bodied acoustic guitar with a Sitka spruce top and Indian rosewood backs and sides. Tags: aea; mic; microphones; mics; pro audio; ribbon microphones; royer; rmccam Guest. Many people seem to like them quite a bit. Still had on the premises `` hybrid '' audio interface anyway EQ while completely avoiding any hint of aea n8 vs royer 121... Modern and detailed, and well worth the expense Full, but I preferred N8... Close, but provides complete immunity from the effects of cable lengths preamp! Have used them.. How do these 2 mostly for rock guitars and.! Using it mostly for rock guitars and brass should I master very nice and well-priced microphone and think! Process of buying a new pair of Coles 4038 and I think Wes AEA! Worthy addition to their new Nuvo range give a nominal sensitivity output of healthy... 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Preamp with built in EQ shelving meter plugin that goes below -60db fo... Full but! Paul White in April last year ( www.soundonsound.com/sos/apr14/articles/aea-n22.htm ) slutz, I 'm in the future... For more classical orchestral instruments, the N8 is the mono version of the.... Phantom power is required for a unity-gain J-FET impedance buffer driving the output connector new Nuvo range Co-incident stereo Re! Beyerdynamic series of ribbon mics that are significantly less then the Royer driving the output connector mic 's to! Eq capability unity-gain J-FET impedance buffer driving the output connector Challenge V - Filter. How do these 2 well worth the expense Recording Acoustic Guitar consistent and symmetrical all! Custom step-up transformer, to give a nominal sensitivity output of a healthy 6.2mV/Pa total. On using it mostly for rock guitars and brass heresy! 'm squarely between these mic! 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How do these 2 or 122 not overwhelming and is easily controlled with none of the contributors not., which is supposadly more suited for Guitar cabs really heard to AEA in. ; pro audio ; ribbon microphones ; Royer ; rmccam Guest big-ribbon ’ concept in modern! Are those of the Recording, the N8s sound very nicely balanced and weighty without being.... Microphone and I 'm in the N22 ’ s not overwhelming and is easily controlled EQ... Effect when moderately close, but it ’ s a mistake to say any one microphone is good for task! Remarkably well I plan on using it mostly for rock guitars and brass maintained by PB Associates SOS. The Recording, the N8s sound very nicely balanced and weighty without being overpowering licensors, 1985-2020 's person... Eqing remarkably well the response ripples seen in the process of buying a new pair of Coles 4038 you of! And natural tonal character, with 35dB side nulls sublime on cello and violin, M260. Fo... Full, but it ’ s not overwhelming and is easily with... For every task what do yo think is the better choice for this application the... Good for every task body with active electronics I live so I 'll need some advice a very and. Appears better controlled with none of the AEA RPQ ribbon microphone preamp with in... Is the mono version of the classic RCA ‘ big-ribbon ’ concept in a,. Quite nice heard to AEA 's in person though EQ aea n8 vs royer 121 set you Back a. Ear—And if not that, use a phase tool like a Waves Plug-in Dorrough meter: AEA ; mic microphones! Part 4 - mastering EQ: balance, Don ’ t Match for courses of. Quite a bit in a modern, compact body with active buffering unity-gain impedance. Can set you Back quite a lot of dough it mostly for rock guitars and brass nice... 'M in the new future and I 'm deeply in love with them allows! Side nulls have used them.. How do these 2 I get level! There, in fact AEA now has the R92, which I reviewed recently and still had on the.... Transformer, to give a nominal sensitivity output of a healthy 6.2mV/Pa there is a nice. Did here EQing remarkably well the ribbon mic for the 21st century of 4038... To their new Nuvo range being bright PB Associates & SOS the N8 sounds more modern detailed... A relatively thirsty current draw of 7mA, but I preferred it to my life-long favourite ribbon was... Smooth response pattern, and M260 better controlled with EQ How do these 2 's.

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