However, that's what I'm feeling right now. Stratovarius is considered one of the leading and most influential groups of the power metal genre. No Turning Back is just another song in the vein of S.O.S, perhaps being a tad more balladic. The vocals are heartfelt from when they enter to the end and it just flows like a ballad. This album here is regarded by many as one of their best ones but I wouldn't agree on that because it is quite similar to the formula of the previous "Visions" and upcoming commercial success of "Infinite". I consider myself to know a wide variety and amount of music, but I know that I've barely scratched the surface of the amount of music out there. You see, on paper there are three ballads on here, of which one is good ("4000 Rainy Nights"), one halfway decent ("Venus in the Morning") and one utter crocodile feces ("Years Go By"). In October 2015, Stratovarius embarked on a world tour to promote the new album. Both "Years Go By" and "Venus In the Morning" have a heavily usage of Kotipelto's falsettos making possible to show in plentiful his range and technique. [11], On December 5, 2014 Elements Pt. You simply don't need anything of it. It was in this time that Timo Tolkki released his second solo album Hymn to Life and guest appeared on the Avantasia album The Metal Opera (Tolkki would later play guest guitar on the sequel album The Metal Opera Part II). Stratovarius es una de las pioneras del power metal y el metal sinfónico. Until the damage is done and the beauty is gone" The combination of speed with melodies, resembling "Speed of Light", and the amazing Kotipelto's vocal range makes the song a benchmark for power metal. Notable songs on the album include the singles "Darkest Hours", "Under Flaming Skies", and the 18-minute epic "Elysium", the longest song that Stratovarius has ever recorded. Suffice to say, Stratovarius embodies the very essence of the power metal genre, the merging of traditional NWOBHM and speed metal with Prog. Yes, I consider this a masterpiece. I would consider this progressive track as the rare pearl of the album and a return to the majestic opener. Rats. In its history, the band has gone through many chaotic lineup … "Pull Me Under"), with speed metal riffs thrown in. Rebel is a kick-ass aggressive number. 3. Please help this article by looking for better, more reliable sources. The line-up that makes this band underscores the integrity that manifests itself on this album. If you can't already hear the album in your ears then I will make it so you can. These albums saw Stratovarius gaining a new following outside of of Scandinavia, particularly in Japan. Typical quality Stratovarius, not much else to say. The other thing is that there's a greater element of "pop" here than before; not by much, but it's there. Pushing over ten minutes it never stops coming and it is most likely my favorite Stratovarius song. It was in this period that the last founding member left the band. Mother Gaia kinda sucks, but otherwise you’ve got a nearly perfect album. Stratovarius, with now sixteen full-length albums released, are easily one of the most recognizable bands when you talk about power metal. They became popular in the '90s, and throughout their career have inspired upcoming power metal bands with their baroque arranged keyboard solos & Ritchie Blackmore-like guitar portions. Even though I don't think all metal should be taken seriously and I don't mind silly bands like Cradle of Filth from time to time, I like the fact that I CAN take Stratovarius more seriously. Doesn't look too good to begin with, and gets even worse when you take those completely unnecessary and lengthy outro sections of the title track and "Anthem of the World" into account, adding up to some extra five or six minutes of weak, stale, emotionless and COMPLETELY by-the-numbers balladry. Inspirados en la música clásica decidieron mezclar la música clásica con el Power Metal logrando un metal neoclásico. 'Venus in the Morning' is the most delicate and carefully constructed, picking up for a lead section in the middle, plus is more lyrically thoughtful, while '4000 Rainy Nights' has the best chorus though suffers on two counts; namely, that it has a downright bad title and that it's too long. However, at the demand of the rest of the band, he agreed to let them continue as Stratovarius while leaving the band. "No turning back" is the standard high speed power metal track, a homage to the early Helloween years. Stratovarius (a portmanteau of Stratocaster and Stradivarius) was founded by Tuomo Lassila, John Vihervä, and Staffan Stråhlman originally under the name Black Water. During these shows, the whole album was played. 2 both being released the same year in 2003. Metal and Shred. A couple of months after the breakdown, Tolkki was diagnosed with bipolar disorder and went into rehabilitation for a period. It's just that good a song. 1 on the Finnish charts. Initially conceived as a double album, the project was eventually split into two different releases, with Elements Pt. Of all those styles, the one that first needs our attention is the epic, of which there are two here as well as the many that followed as the band moved into the new millenium. Unhappy with the new direction the band was heading, Tuomo Lassila decided to leave the band along with Antti Ikonen, leaving Stratovarius searching for a new drummer and keyboardist to fill their places. Those were the good sides but there are also some really faceless tracks. But still after listeneing to a lot of power metal, this does not bore me. Sonata A… In its history, the band has gone through many chaotic lineup changes and since 1995 there are no founding members of the band that remain. This album, including the bonus track, Cold Winter Nights, gets my vote for the Best Album Ever. [8], Their new album, Nemesis, has been released on February 22, 2013. It is the follow-up to 2001's Intermission. During this period, tensions were increasing in the band, and in 2004 Stratovarius temporarily disbanded after Timo Tolkki suffered a nervous breakdown. Never strangers to a progressive touch or a diversion from traditional elements, the opening and closing tracks of 'Destiny' both make efforts to cover new ground in bombastic and sentimental style, taking cues from film soundtracks if the magnitude of choir accompaniments and climactic final choruses are anything to go by. Eventually, the band reached a divide, with Johansson and Porra supporting Tolkki on one side, and Kotipelto and Michael on the other. It was also during this time that Stratovarius orchestrated a series of publicity stunts, including Kotipelto being fired and replaced by a female singer named "Katrina K", as well as Tolkki being stabbed at a concert. Stratovarius on myynyt maailmanlaajuisesti äänitteitään noin 2,5 miljoonaa kappaletta, mikä tekee siitä … So here's how the songs break down. 1 and Elements Pt. Unreliable citations may be challenged or deleted. [citation needed] Destiny contained "S.O.S." and "Rebel", as well as the 10-minute title track "Destiny". After Twilight Time was released, Behm was fired and replaced with Jari Kainulainen. They went through a number of personnel, style and name changes before the band found its own voice. Not a bad thing at all in my book, as I would personally rank "Playing With Fire" as the top track on here, much due to having another inexplicably amazing and *well-constructed* vocal moment that is the entire pre-chorus: "I see the look, the shine in her eyes/Can't let her go, she's so divine/There's no one who can stop me now/She'll be mine". Best viewed without Internet Explorer, in 1280 x 960 resolution or higher. There's a reason for that. Stratovarius was founded in August 1984 in Finland under the name Black Water. The closing "Anthem of the world" than unites once again progressive diversity with power metal kitsch like the opener and the circle is finally closed. The quality over quantity approach for the speedier numbers extends to dropping the usual chorus count of three down to two, giving the songs the advantage of having more time to explore instrumental ideas and avoiding an air of predictability, both of which work very well. 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